Saudi Aramco

Arabian Journeys

2018
Journeys Through a Living Landscape
Visitors immersed in Saudi Arabia’s land and sea within interactive story spaces.

At the King Abdulaziz Center for World Culture (Ithra) in Dhahran, Arabian Journeys opens a 1,000 m² landscape of stories about Saudi Arabia. Rather than a single linear tale, visitors experience the country as a chain of journeys through land, sea, and future visions.

Tamschick Media + Space developed the media concept and film productions for a system of panoramic “ribbons” that weave through the galleries, connecting visitors with one another and with the cultural identity of Saudi Arabia.

Modern museum exhibition with illuminated displays and interactive installations
One connection spine, five journeys

Arabian Journeys is organized around a meandering Connection Zone from which five topic zones branch off. Above and around visitors, dynamically shaped projection ribbons carry continuous panorama films that visually bind the spaces together.

Each topic zone focuses on a specific natural or cultural space and is introduced by key exhibits and short texts that set the tone. Color schemes, floor graphics, and custom furniture echo the habitats on screen, so that the physical environment mirrors coasts, deserts, mountains, cities, and other scenes shown in the films.

Across all zones, life-sized virtual guides Tariq and Ahmed reappear on the projection ribbons. Their dialogues act as recurring points of orientation, drawing visitors deeper into each journey and linking local stories to a larger view of Saudi Arabia’s past, present, and possible futures.

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Crossing the kingdom in shared panoramas

Visitors move freely through the panorama spaces, first discovering scenes on their own, later joining others as the films unfold around them. They travel over land and under water, encounter flora and fauna in different habitats, and follow traces of daily life in towns and villages, all carried by a composed soundscape that ties the journey together.

The alternation between cinematic moments and real exhibits keeps the experience grounded: specimens, objects, and tactile elements stand alongside the projected vistas. 

In the final section, the focus turns forward, inviting visitors to consider how today’s choices will shape the kingdom’s landscapes and society. On an interactive media table, up to eight participants navigate a rapid free flight across Saudi Arabia, playing through fifteen staged scenarios that address environmental protection, renewable energy, and future-oriented urban planning. Knowledge transfer becomes an active and intuitive game.

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Modern museum interior with curved white walls, Arabic text, video displays, and architectural column overhead.
Modern museum interior with curved white walls, curved black ceiling, display panels, and Arabic text signage
Modern museum interior with hyena taxidermy display, mountain landscape projection, and interactive exhibits
Museum diorama displaying taxidermied leopard, eagle, deer, and other wildlife in mountain landscape setting.
Man in traditional Arab dress examining large illuminated Earth globe model at planetarium display.
Man in white thobe and ghutra examining sand near desert dunes display
Modern museum interior with visitor examining exhibits displayed on illuminated tables and walls
Modern museum interior with curved white architectural features and dramatic black ceiling panels.
Futuristic white architectural structure illuminated at dusk with crescent moon visible in sky
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Showing Saudi Arabia beyond the usual picture

Saudi Arabia wanted to present itself beyond oil fields and stereotypes, to both its own citizens and an international public. The task was to show the less known Saudi Arabia and its diverse ecosystems, cultures, and regional identities within a single exhibition.

The experience needed to balance artistic imagery and scientific accuracy, invite both individual exploration and shared moments, and integrate interactive elements without overwhelming the original content or the architecture of Ithra.

Arabian Journeys expands the image of Saudi Arabia presented at Ithra from oil narrative to lived landscape. By turning geography, habitats, and daily scenes into a coherent journey, the exhibition strengthens the cultural role of the King Abdulaziz Center and offers both local and international visitors a more nuanced view of the country. Aligning with the ambition of the building’s architecture, designed by Snøhetta, the final future oriented experience encourages the visitors to leave with a sharpened sense of agency and see how today’s decisions shape tomorrow’s country.

Project Highlights

  • Panorama-style projections spanning multiple walls to create continuous Saudi landscapes within a 1,000 m² route
  • Interactive projection surfaces that respond to touch, allowing visitors to reveal additional layers of information and imagery
  • Location-based filming, including a dedicated mountain crossing sequence produced with Saudi Aramco Media Production
  • Custom-designed exhibition furniture and spatial details adapted to specific natural habitats depicted in the films

Facts & Figures

Client:
Saudi Aramco
Location:
King Abdulaziz Center for World Culture Ithra
Dhahran
Saudi Arabia
Type:
Media-rich national narrative within a permanent cultural center
Area:
1,300 m²
Audience
Diverse visitor groups from families, culture enthusiasts to tourists
On View:
Yes
TMS Scope:
Narrative design and media scenography, concept, storyboard, filming, editing, motion design, media production, interface design, implementation, project management.
Project Partners:

Architect: Snøhetta

Exhibition design and scenography: Atelier Brückner GmbH 

Media production and interactive design: iart ag with Tamschick Media + Space

Service production for mountain crossing: Saudi Aramco Media Production

Music and sound design: Idee und Klang

Media planning: medienprojekt p2 

Graphic design: Tarek Atrissi Design 

Awards

Golden Award of Montreux
ADC Bronze Award
ICONIC Awards
German Design Award